In this latest Blog Post, Dr Johanne Devlin Trew, from Ulster University & the Arts and Humanities Research Council (AHRC) Funded Living Legacies World War One Engagement Centre, talks all things ‘Republican Crafts’.
On Wednesday March 14, 2018, a community conference and exhibition entitled Irish Republican Prison Crafts: Making Memory and Legacy was held at Belfast’s historical Crumlin Road Gaol. It showcased the Heritage Lottery funded project of Coiste na nIarchimí [Republican ex-prisoners organisation], supported by Living Legacies, Ulster University and The Open University. The goal of the project was to create a virtual archive of conflict-related Republican prison crafts that are in the possession of prisoner families and to capture the stories surrounding these objects of memory. The project took as a model the virtual archive developed by Living Legacies to record WW1 material sourced from the general public.
AHRC-funded research on WW1 comics is on display down under. Professor Jane Chapman’s research is part of the ‘Perceptions of War’ exhibition at Macquarie University Public Art Gallery in Sydney. Professor Chapman’s talks in Australia have particularly attracted interest from the Chinese community.
Translator Lan Zhang will use the content for teaching English and understanding of Western culture, and incorporate the content into Chinese English undergraduate classes.
Her grandfather was the Chinese government’s official illustrator and reporter during World War Two, covering the country’s invasion by Japan. She says:
Arts and history are both important in our life, I believe. By them, we can learn from our past and have the courage to go ahead, that is why your research on the cartoons from the trenches inspires me too.
‘Perceptions of War’ is on at the Macquarie University Public Art Gallery in Sydney until the 19th March 2015. There are free public lectures by Professor Jane Chapman:
Thursday 19 February at 1pm, “Visual Satire and Australian Identity, 1914-18”
Wednesday 5 March at 1pm, “Humour as History – Soldier Cartoons from the Trenches”
Free Mandarin guided tour on the 18th of March at 2pm
In this blog post, Ian Aitch looks at how doctoral research, led by PhD student David Swift, is overturning assumptions about the patriotism of the working class.
The centenary of the start of World War I has brought with it a fair amount of debate about the reasons for war and the treatment of those who fought in the trenches. Some have questioned the war poets’ view, while others have sought to protest what they see as the glorifying of the ‘war to end all wars’.
Away from the controversies, research into some of the untold stories around World War One has been taking place. But this was not the usual collection of tales of derring-do or unexpected moments of humanity. Instead, the work that came out of an AHRC-funded Collaborative Doctoral Award (CDA) between the University of Central Lancashire (UCLAN) and the Manchester-based People’s History Museum explored a major piece of working class and labour history that had almost been forgotten about.
PhD student David Swift’s research on Patriotic labour in the era of the Great War revealed surprising results that showed how history can be re-written over time with the attitudes of a more modern era. Swift used the resources of the People’s History Museum to dust off the story of an almost wholesale support for the war from the trades unions and the burgeoning labour movement of the day.
“It was something that was led by the larger unions that represented navvies, railway workers and dockers,” says Swift of the union support for the war effort, which helped to shape the battalions based around workplaces. “It is interesting that, at that time, the unions were considered to be a conservative element of the labour movement in terms of social economic policies. The Socialist Society complained about the power of their block vote then, which saw radical socialist ideas voted down by the unions.”
“the labour movement’s enthusiasm for the war effort in 1914 was almost unanimous”
Swift believes that a modern view of the labour movement and war, especially coloured by the Falklands War, has painted it as a largely anti-war body. But its enthusiasm for the war effort in 1914 was almost unanimous. “The idea that if you are going to be on the left then you should be internationalist in scope and a pacifist is a rather recent convention,” says Swift. “Labour leaders made speeches about internationalists, but it was not something that they took seriously. It is a very racist period, so even the anti-war left are showing how degrading the war was by saying that allowing West Indian or West African solders to kill Germans show how terrible it all is. Being left wing economically and believing in social justice sat far easier with nationalism, patriotism and even racism than it does today, when it obviously does not do so at all.”
Sorting through around 16,000 documents from the Workers’ War Emergency National Committee at the museum, Swift found a complex picture emerging. Although he did find a left united in the war effort, even when some were critical of the reasons for it and the Government of the day. He also found sizeable pockets of working class conservatism in the East End of London, the south and places like Liverpool.
“The labour movement said ‘we cannot abandon our country, no matter how much we hate the ruling classes’,” says Swift. “This was a general agreement across the left wing that was really important. There was talk of the unions breaking from the Labour Party at the time, as Labour was seen as being too contaminated with middle class socialists and radicals who were too soft on Germany. But Labour’s support of the war meant this did not happen. So they survived the war intact and emerged rather united.”
This broad unity helped the Labour Party to establish itself as a major party, taking the unions, the co-operative movement and many feminists with them. By 1922 they were the second party and in 1929 emerged with most seats in the Commons under Ramsay MacDonald.
Nick Mansfield, who is Swift’s PhD supervisor at UCLAN, was director of the People’s History Museum for 21 years, so knows its archives well. However, even he was surprised by the scale of some of Swift’s findings, as well as how the consensus had been blurred by time. “There were a quarter-of-a-million trade unionists volunteered by December 2014,” says Mansfield. “Local and regional trade union leaders actually did the recruiting. 200,000 miners and 200,000 farm workers joined up. Labour historians tend to look at things such as conscientious objectors, but there were only 16,500, with only about a quarter of those objecting on political grounds. They had to stop the miners volunteering, as they needed some to keep the coal going.”
Mansfield is pleased that the collection held by the museum was such an important resource in Swift’s research and that the PhD student has been able to interpret that for wider public use, with work from the pair forming a large part of the basis for an exhibition. A Land Fit For Heroes: War and the Working Class 1914-1918, opened in May 2014 and will continue until February 2015.
“This actually gives students experience in the nitty gritty of putting on an exhibition,” says Mansfield. “The show is achieving very high academic standards. This shows the huge change in the role of women, trade unions and the Labour Party, with profound consequences. I think it moves this on from the lowest common denominator you sometimes get with a lot of commemoration, about how all these poor people from a particular part of society had a terrible time. The fact that 95% of the trade union members were patriotic meant that they achieved a place in the political system they would not have done otherwise.”
“The fact that 95% of the trade union members were patriotic meant that they achieved a place in the political system they would not have done otherwise”
Both Mansfield and People’s History Museum curator Chris Burgess point to the importance of papers belonging to Navvies Union leader John Ward in the story of this period of patriotic left wingers. Ward worked closely with Lord Kitchener and raised numerous battalions from his membership. “It would have been impossible for the museum to go through all of these boxes of papers,” says Burgess. “So we got a really good historical depth from this CDA. We didn’t want to do the classic trenches and battles for our exhibition. We wanted to talk about how the war really was popular and we wanted to show the agency of working class people who, at least at the start of the war, believed in what they were fighting for.”
David Swift says that his research findings have shocked many of those in the Labour Party and the trade union movement, who largely believed that their forebears were against the war. Although this period of labour movement patriotism could provide inspiration for those in the Labour Party looking for ‘blue Labour’ and other conservative demographics they wish to appeal to.
“There is a real surfeit of left wing Nigel Farages and Boris Johnsons during the war period,” says Swift. “You get a lot of bombastic left-wing equivalents who also love a pint. So you get London dock strike leader Ben Tillett who loved to gamble, drink and smoke. The opposite of the Methodist and Baptist, liberal teetotallers who were Labour Party leaders at the time. He was just one of many working class men who were great speakers, were left wing but also loved the football.”
To mark the centenary of the First World War, an exhibition ‘When War Hit Home: Hull and the First World War’ will open at Ferens Art Gallery on 19 July. The exhibition explores the effects of the First World War on Hull and its people, using Hull Museums’ extensive collection of objects and images.
Visitors can read personal stories from those who lived through the War, as well as find out about recruitment, life on the front line, the contribution of men, women and children that stayed at home, the war at sea and the role of fishermen and merchant seamen from Hull. The exhibition looks at the devastating effects of the Zeppelin raids on the city and changes in people’s attitudes towards Hull’s German community.
Councillor Geraghty, Portfolio Holder for Leisure and Culture said:
“It provides an opportunity for people to understand the impact the First World War had on Hull and the people who lived through it one hundred years ago.”
The exhibition includes previously unseen photographs from Hull during the war, some of which will be life-sized and have been digitised in preparation for the exhibition. A number of objects that have been stored for decades have also been conserved and will be displayed for the first time, including an early gas mask, some delicate costume from the era and a Hull and Barnsley roll of honour.
Paula Gentil, Curator at Hull Museums said:
“Some powerful and poignant personal stories have resulted from our research into the collections at the museums. After an initial enthusiasm for the war, local families underwent an agonising four years of war and, for those that survived, their lives were changed forever. This exhibition really highlights the important contribution Hull men, women and children made.”
The exhibition, in Gallery 4 at Ferens Art Gallery will be open Saturday 19 July 2014 to Sunday 4 January 2014.
The exhibition is being launched with a day of free activities, talks and live music from the era at Ferens on Saturday 19 July. Talks will be given by Honorary Alderman John Robinson, Dr. Robb Robinson from the Maritime Historical Studies Centre, the BBC’s Adrian Van Klaveren, Dr. Rosemary Wall and Dr. Nick Evans from the University of Hull, and Arthur Credland who will talk about the Zeppelin raids.
The launch has been organised as a collaboration between Hull Museums, Heritage Learning and the University of Hull and is supported by funding from Arts Council England and the Arts and Humanities Research Council.
Some of the most evocative images of the First World War are cartoons. Who can forget Bruce Bairnsfather’s ‘Well, if you knows of a better ‘ole, go to it!’, Bert Thomas’s ”Arf a Mo’, Kaisder!’, or Alfred Leete’s cover design for London Opinion featuring Lord Kitchener, ‘Your Country Needs You’? Cartoons and comic strips provide a fascinating insight into the concerns and attitudes of people at the time, both on the battlefield and on the home front.
From 11 June to 20 October 2014 the Cartoon Museum, in collaboration with the University of Lincoln, will be showing an exhibition documenting the First World War through a variety of material. The exhibition will be partly funded by the AHRC. Professor Jane Chapman has been researching First World War trench publications held in collections around the world and will be co-curating the exhibition. Find out more on the Cartoon Museum website. You can also watch a short AHRC film about the research behind the forthcoming exhibition below.